The Quest Series reached its pinnacle in a stainless steel sculpture commissioned by the Evansville Museum of Arts and Sciences in 1992. [Link to Artist Statement, and Streetman quote] The sculpture, titled "Celestial Quest" was fabricated totally in an industrial setting with Fitzgerald involved in every aspect of its construction, finish and installation. At this point, the Quest Series consisted primarily of the two large works done first. A few smaller works in this series followed, along with a few sculptures connected to it. The large work came first, however, showing his competence in large pieces. This aspect of doing large sculptures first and then further exploring the composition further in various smaller scales is something he still does today. His ability to work from large to small or from small to large is truly a gift. To be able to do this and have the works keep their distinct inherent commonality, shows that he is a master sculptor in his own right. The ability to compose a sculpture that can hold its own and stand distinct, independent of scale, is a sculptural gift. At times he seems to be able to grasp the truly universal attributes of form itself, and the expression of it. It can be said that even in his smaller, unique sculptures, done with no intention of being duplicated on any scale, he is still capable of tapping into the inherent qualities and transforming their distinct attributes into larger work. He says, "It is the visual image or symbolic reference and their corresponding experiential feeling that carries over into the larger work."